For some inexplicable reason I've managed to catch quite a few films starring Antonio Banderas recently. I've never really noticed him before. I don't know why. Latino men just mustn't do it for me, or something.
I've started to notice how terrible he is - not because he's a poor actor - but because he seems to have made some bad, bad choices in terms of the films he's chosen to make. At least if he was a bad actor, it might not be his fault, but if you're one of the most famous actors in the world and you star in a bad film, that's just plain lazy.
Last week I caught him as the bad guy assassin in Richard Donner Kebab's
Assassins. He stars opposite Sylvester Stallone - also playing an assassin. I don't really know how they came up with the title of the film. So poor Antonio is cast as the bad guy, against Sly's good guy - although quite why this is so is beyond me - both play hitmen after the same targets. Sly is just a bit more dopey looking so I think he becomes the protagonist out of pure pity. To play his role, slightly unhinged, Antonio delivers all of his lines with a mad glint in his eye. He comes off sounding gay, and therefore not very menacing at all.
The other night I caught the beginning of
Take The Lead. In one of the most forced exposition scenes I've ever witnessed we find Antonio sitting in a busy high-school office, waiting to see the headmistress.

Antonio stands up and opens the door next to him for any females that happen to walk past. Of course, this being Hollywood everybody seems to think he is admirable because of this. Whenever I hold the door open for women, I'm either being creepy or sexist.
Back to Antonio, he's called in to see the headmistress and following conversation takes place (and I'm paraphrasing here):
Headmistress: What can I do for you?
Effeminate Latino Businessman: One of your students broke into my apartment.
Headmistress: Then call the police.
ELB: Do you not care about your -
Headmistress:
(interrupting) - Listen, Sir, if my students commit crimes during school hours, I'll get involved. Out of school - I can't help them.
Effeminate Latino Businessman looks around the office, and gestures to a series of framed student photos on the wall.ELB: Is this the way you reward good work in your school?
Headmistress: Those students are all dead. I have them up there as a reminder of how bad our kids have it today.
Effeminate Latino Businessman looks instantly regretfull.Pause.ELB: I would like to teach your students to dance...
*
Unfortunately I didn't watch the rest of the film, although I'm betting he managed - against all odds - to successfully teach a gang off innercity youths how to tango - and to find themselves - in the face of great adversity.
This excellent - and LAZY - example of scriptwriting reminds me of an exchange from one of his earlier films,
The 13th Warrior. Antonio thrills us with his role as an exiled Arab warrior, sent to help out a load of vikings. However, there's a spot of trouble: he only speaks Arabic, they only speak Norse. Hmm.

After a few scenes where - with the assistance of some handy subtitles - Antonio is the subject of some ripe Nordic insults, our hero is sat with his fellow warriors around a campfire. Remaining silent as the jipes continue, Antonio eventually responds to a comment one of them has made, something along the lines of...
Arab Warrior: Your Mother!
Nordic Warrior: Hey, how did you learn to speak Norse?
Arab Warrior: By listening.